Algunos términos de cine (pdf)
El hombre de la cámara (Dziga Vertov y Elizaveta Svilova, 1929)
![](https://assets.mubicdn.net/images/notebook/post_images/4096/images-w1400.jpg?1302194990)
(Daniel Kasman, 23 de abril, 2011)
![](https://openmedialab.art/wp-content/uploads/man-with-a-movie-camera-poster-2-720x1080.jpg)
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Every Shot from Dziga Vertov’s Man with a Movie Camera as an Animated GIF (Renée Lear, 2015)
Más de Renée Lear en Vimeo.
El undécimo año (Dziga Vertov, 1928)
Visualizing Vertov (Lev Manovich, 2013). Leer artículo.
![](https://openmedialab.art/wp-content/uploads/9.4.Montage.AVG_MWMC_three_shots.png)
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![](https://openmedialab.art/wp-content/uploads/2.1-Vertov_film_comparison_inverted-1920x824.png)
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![](https://openmedialab.art/wp-content/uploads/0.4.Ghostcatching_1999.jpg)
![](https://openmedialab.art/wp-content/uploads/0.3.Gilbreths_motion_studies_using_Chronocyclegraph.adjusted.jpg)
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El «Montaje Expandido» de Isaac Julien.
![- MUAC](https://muac.unam.mx/assets/images/Expos 2016/Isaac_Julien_4.jpg)
Si reflexionamos sobre el método de Julien como un “montaje expandido”, nos permite ver que la estrategia que comunica a la imagen-movimiento con la forma verbal de las tesis del coloquio no es necesariamente expositiva sino insertada en la secuencia de situaciones que se asemejan a lo dicho, sin llegar a ser una calca.
Omar Olivares Sandoval, 2016.
REFERENCIAS:
Omar Olivares Sandoval. 2016. «Instalación: ‘Isaac Julien. Playtime & Kapital'», Investigaciones Geográficas, Boletín 91.
MUAC · Museo Universitario Arte Contemporáneo, UNAM. 2016. JULIEN —PLAYTIME & KAPITAL. Catálogo de exposición (PDF).
Douglas Gordon, 24 Hour Psycho (Video installation, Excerpt)
Nam June Paik, TV Buddha
![Dateline Bangkok: Nam June Paik](https://www.matthewhunt.com/blog/images/tvbuddhaside.jpg)